The works below were made by artists of modern India. Match the works in List-I with the artists who made them in List-II.
List-I (Work) | List-II (Artist) |
A. Haldi Grinder | I. Jyoti Bhatt |
B. A Cubist City | II. Gaganendranath Tagore |
C. Black Horse | III. Jamini Roy |
D. Devi | IV. Amrita Sher-Gil |
Choose the correct answer from the options given below:
Answer & explanation
Correct answer: option 3
The correct answer is Option (3) → A-IV, B-II, C-III, D-I
| List-I | List-II | Reason |
|---|---|---|
| (A) Haldi Grinder | (IV) Amrita Sher-Gil | Sher-Gil painted Indian women grinding dry turmeric in bright, saturated pigments. |
| (B) A Cubist City | (II) Gaganendranath Tagore | Gaganendranath of the Tagore family knew about the international trend of Cubism. |
| (C) Black Horse | (III) Jamini Roy | Jamini Roy drew on the rural folk art of Bengal and used simple and pure colours. |
| (D) Devi | (I) Jyoti Bhatt | This etching on paper, with folk motifs and patterns around the face of a woman, is by Jyoti Bhatt. |
Note: This topic was not named in the CUET 2026 syllabus, but it was part of the NCERT chapter. In 2025 and 2026, NTA also asked questions on topics in NCERT that the CUET syllabus did not name. So our mocks have questions from every part of the NCERT chapter, to give you enough practice. Read the whole chapter, not only the sub-topics named in the syllabus.
NCERT (2026-27): “A Cubist City Gaganendranath Tagore, A Cubist City, 1925. Victoria Memorial Hall, Kolkata, India” “Black Horse Jamini Roy, Black Horse, 1940. NGMA, New Delhi, India” “Haldi Grinder Amrita Sher-Gil painted Haldi Grinder in 1940. This was the time when she was seeking inspiration from India’s idyllic rural scene. Such a scene, depicting Indian women busy in a traditional activity of grinding dry turmeric, had to be painted in Indian style.” “Devi This is an etching on paper made by Jyoti Bhatt (1934) in 1970. He studied painting, printmaking and photography, and was inspired by his mentor K. G. Subramanyan. … In this print, pictorial image of Devi is re-cast and re-contextualised with a linear drawing of the frontal face of a woman, folk motifs and patterns.” |