Match List I with List II :
Choose the correct answer from the options given below: |
(A)-(II), (B)-(I), (C)-(III), (D)-(IV) (A)-(II), (B)-(III), (C)-(IV), (D)-(I) (A)-(IV), (B)-(III), (C)-(II), (D)-(I) (A)- (IV), (B)-(III), (C)-(I), (D)-(II) |
(A)-(IV), (B)-(III), (C)-(II), (D)-(I) |
The correct answer is Option (3) → (A)-(IV), (B)-(III), (C)-(II), (D)-(I) The correct match is:
"Execution of mutinous sepoys in Peshawar", Illustrated London News, 3 October 1857: In this scene of execution 12 rebels hang in a row, with cannons all around them. What you see is not routine punishment: it is the performance of terror. For it to instil fear among people, punishment could not be discreetly meted out in enclosed spaces. It had to be theatrically performed in the open. “Relief of Lucknow”, painted by Thomas Jones Barker in 1859, is an example of a painting commemorating the British heroes who saved the English and repressed the rebels. Barker’s painting celebrates the moment of Campbell’s entry. At the centre of the canvas are the British heroes – Campbell, Outram and Havelock. The gestures of the hands of those around lead the spectator’s eyes towards the center. The caption at the bottom of an image of the revolt of the 1857 reads “The British Lion’s Vengeance on the Bengal Tiger”, Punch, 1857. "In Memoriam” was painted by Joseph Noel Paton two years after the mutiny. In the painting, one can see English women and children huddled in a circle, looking helpless and innocent, seemingly waiting for the inevitable – dishonour, violence and death. “In Memoriam” does not show gory violence; it only suggests it. It stirs up the spectator’s imagination and seeks to provoke anger and fury. It represents the rebels as violent and brutish, even though they remain invisible in the picture. In the background, you can see the British rescue forces arriving as saviours. |