Practicing Success

Target Exam

CUET

Subject

Fine Arts

Chapter

The Mughal School of Miniature Painting

Question:

Match the Person in List- I with the description in List- II

List- I (Person)

List- II (Description)

(A) Babur

(I) European Painter inspired by the Mughal Court Painting

(B) Humayun

(II) Established tradition of keeping memoirs

(C) Shah Abbas

(III) Persian Safavid emperor who possessed Qandhar province

(D) Rembrandt

(IV) dethroned by Sher Shah

Options:

(A)-(II), (B)-(III), (C)-(IV), (D)-(I)

(A)-(II), (B)-(IV), (C)-(III), (D)-(I)

(A)-(I), (B)-(IV), (C)-(II), (D)-(III)

(A)-(III), (B)-(IV), (C)-(II), (D)-(I)

Correct Answer:

(A)-(II), (B)-(IV), (C)-(III), (D)-(I)

Explanation:

The correct answer is option 2- (A)-(II), (B)-(IV), (C)-(III), (D)-(I)

Babur had a dynamic taste for a variety of arts. He is reputed to be a man of letters and a keen patron of art, manuscripts, architecture, gardening, etc. Babur’s detailed accounts in Baburnama, his autobiography, are narratives of the emperor’s political carrier and artistic passion. Baburnama reflects the love and fondness that Babur had as an outsider for the Indian land and ecology. With his fervour for detailed writing, Babur established a tradition of keeping memoirs, a practice which was followed by his successors in India. The books and albums that were produced in the royal ateliers were not only calligraphed but also painted. These books of value were preserved and passed on to members of the royal family or gifted to those perceived as deserving. Babur had a keen eye for portraiture and this is also recorded in his memoirs.

Babur was succeeded by his son Humayun in 1530, who unfortunately fell prey to political unrest, and his life took many unexpected turns. Dethroned by an Afghan, Sher Khan (Sher Shah), Humayun took refuge in the court of the Safavid Persian ruler, Shah Tahmasp.

Jahangir’s Dream (1618–22), a painting by Abul Hasan, given the title Nadir al Zaman, meaning the ‘Wonder of the Age’, refers to the Emperor’s dream, in which he was visited by Persian Safavid emperor Shah Abbas, his rival, who possessed the much desired province of Qandahar. Interpreting it as good omen, he had the court artist Abul Hasan paint the dream. In this painting, political fantasy takes over and the presence of Jahangir dominates the composition.

The Mughal School of Painting, which had embraced and presented the exuberating blend of the leading art traditions of its contemporary world, began to inspire the European artists of that time. Rembrandt, a celebrated European painter, was deeply inspired by the Mughal court painting and made studies of several Indian drawings to master the delicate lines. His studies show the celebrated position that the Mughal miniature painting occupied in the world art scene.