Practicing Success

Target Exam

CUET

Subject

Fine Arts

Chapter

The Rajasthani Schools of Painting

Question:

Match the literary/art work in List- I with its description in List- II:

List- I

List- II

(A) Gita Govinda Paintings  

(I) describes 12 months of the Year

(B) Rasmanjari

(II) pictorial interpretation of ragas and raginis

(C) Baramasa  

(III) evokes Shringara Rasa

(D) Ragmala Paintings

(IV) Classifies Nayaks & Nayikas on age, emotional state etc.

Choose the correct answer from the options given below:

Options:

(A)-(IV), (B)-(III), (C)-(II), (D)-(I)

(A)-(II), (B)-(III), (C)-(IV), (D)-(I)

(A)-(III), (B)-(IV), (C)-(I), (D)-(II)

(A)-(IV), (B)-(III), (C)-(I), (D)-(II)

Correct Answer:

(A)-(III), (B)-(IV), (C)-(I), (D)-(II)

Explanation:

The correct answer is Option 3- (A)-(III), (B)-(IV), (C)-(I), (D)-(II)

Composed in the twelfth century by Jayadeva, who is believed to have been the court poet of Lakshmana Sen of Bengal, Gita Govinda, the ‘Song of the Cowherd’, is a lyrical poem in Sanskrit, evoking shringara rasa, portraying the mystical love between Radha and Krishna through worldly imageries.

Bhanu Datta, a Maithil Brahmin who lived in Bihar in the fourteenth century, composed another favourite text of artists, Rasamanjari, interpreted as the ‘Bouquet of Delight’. Written in Sanskrit, the text is a treatise on rasa and deals with the classification of heroes (nayakas) and heroines (nayikas) in accordance with their age — baal, taruna and praudha; physiognomic traits of appearance, such as padmini, chitrini, shankhini, hastini, etc., and emotional states, such as khandita, vasaksajja, abhisarika, utka, etc. Though Krishna is not mentioned in the text, painters have introduced him as the archetypal lover.

Kavipriya, another poetic work by Keshav Das, was written in the honour of Rai Parbin, a celebrated courtesan of Orchha. It is a tale of love and its tenth chapter evocatively titled Baramasa engages with the most enduring climactic description of the 12 months of the year. While illustrating the daily life of people in different seasons and alluding to festivals falling therein, Keshav Das describes how the nayika prevails upon the nayaka not to leave her and proceed on a journey.

Ragamala paintings are pictorial interpretations of ragas and raginis. Ragas are traditionally envisioned in divine or human form in romantic or devotional contexts by musicians and poets. Each raga is associated with a specific mood, time of the day and season. Ragamala paintings are arranged in albums invariably containing 36 or 42 folios, organised in the format of families. Each family is headed by a male raga, having six female consorts called raginis. The six main ragas are Bhairava, Malkos, Hindol, Dipak, Megha and Shri.