The following statements are about the Mughal School of Miniature Painting. Consider the statements given below:
(A) For understanding Mughal painting, the political history and genealogy of the Mughal dynasty is often taken into account.
(B) Under Akbar, the integrated composition of Indo-Persian artists led to the development of a unique style.
(C) In making a book painting, the final stage of colouring was called tarh.
(D) Once a page’s text was written, the artist composed a synoptic visual representation of it.
How many of the statements given above are correct?
Answer & explanation
Correct answer: option 3
The correct answer is Option (3) → Three
A. For understanding Mughal painting, the political history and genealogy of the Mughal dynasty is often taken into account. — Correct. Every Mughal ruler shaped art by his own taste, so the history of the dynasty helps to understand the paintings.
B. Under Akbar, the integrated composition of Indo-Persian artists led to the development of a unique style. — Correct. Akbar’s atelier had Persian and indigenous Indian artists working together.
C. In making a book painting, the final stage of colouring was called tarh. — Incorrect. Tarh was the first stage, making the composition. The final stage of colouring was rangamizi.
D. Once a page’s text was written, the artist composed a synoptic visual representation of it. — Correct. The pages were ruled and filled with text first, and the artist painted after it.
NCERT (2026-27): “The Mughal School of Miniature Painting …The Mughals were patrons of various art forms. Every Mughal successor, based on his taste and preferences, contributed towards enhancing the status of art, viz., calligraphy, painting, architecture, bookmaking, book illustration projects, etc. They took keen interest in artists’ ateliers and nurtured unprecedented new styles that heightened and accelerated the existing art scenario of India. Therefore, for understanding the Mughal Painting, the political history and genealogy of the Mughal dynasty is often taken into account.” “Early Mughal Painting …Abul Fazal, the court historian of Akbar, writes about Akbar’s passion for arts. He records that more than a hundred artists were employed in the royal atelier. This included the most skilled Persian and indigenous Indian artists of that time. This integrated composition of Indo-Persian artists led to the development of a unique style in this period.” “Process of Mughal Painting …Then, the pages were ruled and filled with text. Once the text was written, it was given to the artist, who would compose a synoptic visual representation of the text. The artist would begin from the stage of making the composition, i.e., tarh, to portraits, i.e., chiharanama to the final stage of colouring, i.e., rangamizi.” |