Practicing Success

Target Exam

CUET

Subject

Fine Arts

Chapter

The Modern Indian Art

Question:

Match List I with List II

LIST I

LIST II

A. Whirlpool

I. Progressive Artists Group

B. Rural South Indian Man-Woman

II. National Gallery of Modern Art

C. Farmer's Family

III. Etching

D. S.A. Bakre

IV. Viscosity Printing

Choose the correct answer from the options given below:

Options:

(A)-(IV), (B)-(III), (C)-(II), (D)-(I)

(A)-(II), (B)-(III), (C)-(IV), (D)-(I)

(A)-(IV), (B)-(II), (C)-(III), (D)-(I)

(A)-(II), (B)-(IV), (C)-(III), (D)-(I)

Correct Answer:

(A)-(IV), (B)-(III), (C)-(II), (D)-(I)

Explanation:

The correct answer is Option 1-(A)-(IV), (B)-(III), (C)-(II), (D)-(I)

Whirlpool- Whirlpool was a print made by India’s celebrated printmaker Krishna Reddy in 1963. It is a captivating composition created out of various shades of blues. Each colour blends into the other to create a powerful web of design. It is the result of a new technique in printmaking that he developed along with a well-known printmaker, Stanley William Hayter, in the famous studio called ‘Atelier 17’. This method came to be known as ‘viscosity printing’, in which different colours are applied on the same metal printing plate. Each colour is mixed with linseed oil in varied concentration to ensure that colours do not run into each other. The print’s subject matter, dealing with water current, aptly captures the technique based on understanding how water and oil behave with each other. This celebrated print is in the collection of the Metropolitan Museum of Art in New York, USA.

Rural South Indian Man–Woman: This is an etching print on paper made by Laxma Goud (1940...) in 2017. Laxma Goud, a fine draftsman and printmaker, studied mural painting and printmaking at M. S. University, Baroda, and was influenced by his teacher K. G. Subramanyan’s experiments with the narrative mode and figuration of visual traditions, classical, folk and popular cultures. He tries to erase sharp demarcations between major and minor arts, thus, giving it linguistic breath. This has helped him straddle various mediums, such as glass painting, terracotta and bronze. In this etching, human figures are shown with trees in the background. It is based on his childhood memories immersed in nature. The work is a combination of highly ornate contours, realistic depiction of the peasants and a gentle stylization that gives a touch of puppets to the figures represented in the print. This print is line-based and coloured. Some of his other artworks are Woman, Man, Landscape of Turkey, Untitled, Xiyan China, etc.

Farmer Family: It is housed in National Gallery of Modern Art

In Bombay, another set of artists formed a group, called The Progressive Artists in 1946. Francis Newton Souza was the outspoken leader of the group, which included M.F. Husain, K. H. Ara, S.A. Bakre, H.A. Gade and S.H. Raza. Souza wanted to question the conventions that had prevailed in art schools.