Answer: Maharana Jagat Singh II Mewar painting in the eighteenth century increasingly became secular and courtly in ambience. Not only an increasing fascination for portraiture emerged but outsized and flamboyant court scenes, hunting expeditions, festivals, zenana activities, sports, etc., were largely favoured as subjects.
A folio depics Maharana Jagat Singh II (1734–1752) touring the countryside while on his way hawking. The country scape perceived in an oblique view, with the horizon raised at a tangent in comparison to the foreground enables the artist to visualise a panoramic view of limitless vision. The relevance of the scene lies in its complexity of narration that also aims at reportage. |