Match the LIST-I with LIST-II
LIST-I (Artworks/Associations) | LIST-II (Artist) |
A. Indian Society of Oriental Art | I. Nandalal Bose |
B. Folk Renaissance | II. Raja Ravi Varma |
C. Haripura Posters | III. Abanindranath Tagore |
D. Oleographs | IV. Jamini Roy |
Choose the correct answer from the options given below:
Answer & explanation
Correct answer: option 4
The correct answer is Option (4) → A-III, B-IV, C-I, D-II
| List-I | List-II | Reason |
|---|---|---|
| (A) Indian Society of Oriental Art | (III) Abanindranath Tagore | He was the main artist and creator of this important journal. |
| (B) Folk Renaissance | (IV) Jamini Roy | He was called the father of the folk renaissance in India. |
| (C) Haripura Posters | (I) Nandalal Bose | Mahatma Gandhi invited him to paint these panels for the Congress session at Haripura. |
| (D) Oleographs | (II) Raja Ravi Varma | His paintings became so popular that many were copied as oleographs and sold in the market. |
NCERT (2026-27): “Abanindranath Tagore and E. B. Havell …To create awareness that modern Indians could benefit from this rich past, Abanindranath was the main artist and creator of an important journal, Indian Society of Oriental Art.…” “Woman with Child This is a gouache painting on paper made by Jamini Roy (1887–1972) in 1940. He was called the father of the folk renaissance in India, who created an alternative vision of modern Indian identity. In the mid –1920s, he travelled to the countryside of Bengal to collect folk paintings (pats) and learn from folk artisans.…” “Shantiniketan — Early modernism Nandalal Bose, a student of Abanindranath Tagore, was invited by poet and philosopher Rabindranath Tagore to head the painting department in the newly established Kala Bhavana.…” “…He also illustrated primers in Bengali with woodcuts and understood the role of art in teaching new ideas. For this reason, Mahatma Gandhi invited him to paint panels that were put on display at the Congress session at Haripura in 1937.…” “Raja Ravi Varma …By imitating copies of European paintings popular in Indian palaces, he mastered the style of academic realism and used it to depict scenes from popular epics like the Ramayana and Mahabharata. They became so popular that many of his paintings were copied as oleographs and were sold in market. They even entered people’s homes as calendar images.…” |