In Basohli painting, how is the representation of pearls in ornaments imitated?
Answer & explanation
Correct answer: option 1
The correct answer is Option (1) → With raised white paint
Option (1) With raised white paint — Correct. Basohli painters used raised white paint to imitate pearls in ornaments.
Option (2) With flat expanses of white paint — Incorrect. Daring expanses of white or grey belong to Nainsukh’s palette. Basohli pearls are shown in raised paint.
Option (3) With small shiny particles of beetle wings — Incorrect. Basohli painters used beetle wings to delineate jewellery and simulate emeralds, not pearls.
Option (4) With delicate pastel shades — Incorrect. Delicate pastel shades describe Nainsukh’s palette. They are not used for Basohli pearls.
NCERT (2026-27): “Basohli School The first and most dramatic example of work from the hill states is from Basohli. From 1678 to 1695, Kirpal Pal, an enlightened prince, ruled the state. Under him, Basohli developed a distinctive and magnificent style. It is characterised by a strong use of primary colours and warm yellows — filling the background and horizon, stylised treatment of vegetation and raised white paint for imitating the representation of pearls in ornaments. However, the most significant characteristic of Basohli painting is the use of small, shiny green particles of beetle wings to delineate jewellery and simulate the effect of emeralds.” “Guler School …Nainsukh’s genius was for individual portraiture that became a salient feature of the later Pahari style. His palette comprised delicate pastel shades with daring expanses of white or grey.” |