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Match List- I with List- II
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(A)-(III), (B)-(IV), (C)-(II), (D)-(I) (A)-(IV), (B)-(III), (C)-(II), (D)-(I) (A)-(II), (B)-(IV), (C)-(III), (D)-(I) (A)-(I), (B)-(II), (C)-(IV), (D)-(III) |
(A)-(IV), (B)-(III), (C)-(II), (D)-(I) |
The correct answer is Option 2- (A)-(IV), (B)-(III), (C)-(II), (D)-(I) Guler artist Pandit Seu with his sons Manak and Nainsukh are attributed with changing the course of painting around 1730–40 to a new style, usually, referred to as the pre–Kangra or Guler–Kangra kalam. Bishan Singh died during the lifetime of his father Dalip Singh, leading to Govardhan Chand ascending to the throne. Nainsukh is believed to have initially worked for Mian Zoravar Singh, whose son and successor Balwant Singh of Jasrota was to become his greatest patron. Manaku did numerous portraits of his enthusiastic patron Raja Govardhan Chand and his family. Prakash Chand, successor of Govardhan Chand, shared his father’s passion for art and had sons of Manaku and Nainsukh, Khushala, Fattu and Gaudhu as artists in his court. |
