Target Exam

CUET

Subject

History

Chapter

Ancient India: Thinkers, Beliefs and Buildings

Question:

In the study of Buddhist sculpture, art historians found it essential to delve into the hagiographies of the Buddha. These biographical accounts provided valuable insights into the life and teachings of the Buddha. According to these hagiographies, the Buddha attained enlightenment during his meditation beneath a tree.

Interestingly, in early Buddhist sculptures, the representation of the Buddha did not take a conventional human form. Rather, sculptors opted to depict his presence through various symbolic elements and motifs. These symbols conveyed the essence of the Buddha's enlightenment and teachings, adding a unique and profound dimension to the artistry of the sculptures.

In Buddhist Art, which value was signified by Elephants?

Options:

Strength

Wisdom

Both options 1 and 2

Neither 1 nor 2

Correct Answer:

Both options 1 and 2

Explanation:

The correct answer is Option 3 - Both options 1 and 2

Option 1- Strength
Option 2- Wisdom
Option 3- Both options 1 and 2
Option 4- Neither 1 nor 2

In Buddhist Art animals were often used as symbols of human attributes. Elephants, for example, were depicted to signify strength and wisdom.

Other sculptures at Sanchi were perhaps not directly inspired by Buddhist ideas. These include beautiful women swinging from the edge of the gateway, holding onto a tree. Initially, scholars were a bit intrigued about this image, which seemed to have little to do with renunciation. However, after examining other literary traditions, they realised that it could be a representation of what is described in Sanskrit as a shalabhanjika. According to popular belief, this was a woman whose touch caused trees to flower and bear fruit. It is likely that this was regarded as an auspicious symbol and integrated into the decoration of the stupa. The shalabhanjika motif suggests that many people who turned to Buddhism enriched it with their own pre-Buddhist and even non-Buddhist beliefs, practices and ideas. Some of the recurrent motifs in the sculpture at Sanchi were evidently derived from these traditions.