Match List I with List II

Choose the correct answer from the options given below:

A-III, B-I, C-IV, D-II

The correct answer is Option 2 - A-III, B-I, C-IV, D-II

Explanation:

The Kangra style is by far the most poetic and lyrical of Indian styles marked with serene beauty and delicacy of execution. Characteristic features of the Kangra style are delicacy of line, brilliance of colour and minuteness of decorative details. Distinctive is the delineation of the female face, with straight nose in line with the forehead, which came in vogue around the 1790s is the most distinctive feature of this style.

The first and most dramatic example of work from the hill states is from Basohli. From 1678 to 1695, Kirpal Pal, an enlightened prince, ruled the state. Under him, Basohli developed a distinctive and magnificent style. It is characterised by a strong use of primary colours and warm yellows—filling the background and horizon, stylised treatment of vegetation and raised white paint for imitating the representation of pearls in ornaments. However, the most significant characteristic of Basohli painting is the use of small, shiny green particles of beetle wings to delineate jewellery and simulate the effect of emeralds. In their vibrant palette and elegance, they share the aesthetics of the Chaurpanchashika group of paintings of Western India.

Painting in the eighteenth century increasingly slithered away from textual representations to courtly activities and pastime of the royals. Mewar artists, generally, prefer a bright colour palette with prominent reds and yellows. Mewar painting in the eighteenth century increasingly became secular and courtly in ambience. Not only an increasing fascination for portraiture emerged but outsized and flamboyant court scenes, hunting expeditions, festivals, zenana activities, sports, etc., were largely favoured as subjects.

A distinct feature of Bundi and Kota School is a keen interest in the depiction of lush vegetation; picturesque landscape with varied flora, wildlife and birds; hills and thick jungles; and water bodies. It also has a series of fine equestrian portraits. The drawing of elephants is, particularly, unsurpassed in both Bundi and Kota. Bundi artists had their own standards of feminine beauty—women are petite with round faces, receding foreheads, sharp noses, full cheeks, sharply penciled eyebrows and a ‘pinched’ waist.