Observe the artwork, read the passage given below and answer the following questions:

In this sculpture, Ganesha is palying vina, a musical instrument. Details on the sculpture and technical blending of material, nevertheless, reveal his meticulous craftsmanship. The artist also experimented with the ‘open-endedness’ quality of indigenous workmanship. Ganesha reveals his understanding of traditional imagery. He has elaborated linear details into overall form. The sculpture is conceived in terms of linear silhouettes instead of emphasis on three-dimensionality, despite its volume. Rhythm and growth are incorporated through lyrical stylisation. It is also an amalgamation of folk and traditional craftsmanship.

Which statement about P. V. Janakiram's sculpture "Ganesha" is incorrect?

1) The sculpture was created in 1970.
2) It is made of oxidized copper.
3) P. V. Janakiram used gold sheets.
4) Linear elements work as facial features and decorative motifs.

3

Answer:  3

P. V. Janakiram used gold sheets.
The sculpture is made of oxidized copper, not gold

Ganesha- This is a sculpture in oxidised copper made by P. V. Janakiram in 1970, and is in the collection of NGMA, Delhi. He has used sheets of copper to create pictorial sculpture as free-standing forms, and ornamented their surface with linear elements. Metal sheets are beaten into concave planes on which are welded linear details. These linear elements work as facial features and decorative motifs to suggest religious icons, inviting intimate contemplation. Janakiram is influenced by the ancient temple sculpture of South India. The image of Ganesha, crafted frontally, lends an important indigenous character of cave and temple sculpture. In this sculpture, Ganesha is palying vina, a musical instrument. Details on the sculpture and technical blending of material, nevertheless, reveal his meticulous craftsmanship. He also experimented with the ‘open- endedness’ quality of indigenous workmanship. Ganesha reveals his understanding of traditional imagery. He has elaborated linear details into overall form. The sculpture is conceived in terms of linear silhouettes instead of emphasis on three-dimensionality, despite its volume. Rhythm and growth are incorporated through lyrical stylisation. It is also an amalgamation of folk and traditional craftsmanship.