On observing the motif of the serpent, present on numerous pillars at Sanchi, who considered Sanchi to be a centre of serpent worship?

James Fergusson

The motif of the serpent, present on numerous pillars at Sanchi, warrants our consideration. The emblem appears to draw from prevailing traditions that weren't necessarily documented in texts. Intriguingly, even one of the earliest modern art historians, James Fergusson, perceived Sanchi as a hub of tree and serpent worship. It's noteworthy that Fergusson's understanding was shaped without access to a comprehensive understanding of Buddhist literature, most of which remained untranslated during his time. His conclusion stemmed solely from studying the visual representations in isolation.