Practicing Success

Target Exam

CUET

Subject

Fine Arts

Chapter

The Rajasthani Schools of Painting

Question:

Match List- I with List- II

List- I

List- II

(A) Bihari Satsai

(I) Composed in 14th Century

(B) Gita Govinda Paintings  

(II) Composed in 1662

(C) Rasmanjari  

(III) Composed in 12th Century

(D) Rasikapriya

(IV) Composed in 1591

Options:

(A)-(III), (B)-(IV), (C)-(II), (D)-(I)

(A)-(IV), (B)-(III), (C)-(II), (D)-(I)

(A)-(II), (B)-(III), (C)-(IV), (D)-(I)

(A)-(II), (B)-(III), (C)-(I), (D)-(IV)

Correct Answer:

(A)-(II), (B)-(III), (C)-(I), (D)-(IV)

Explanation:

The correct answer is Option 4 - (A)-(II), (B)-(III), (C)-(I), (D)-(IV)

Bihari Satsai, authored by Bihari Lal, constituting 700 verses (satsai), is composed in the form of aphorisms and moralising witticism. It is largely held that he composed the Satsai around 1662 while he was at the court of Jaipur working for Mirza Raja Jai singh as the patron’s name appears in several verses of the Satsai. The Satsai has been largely painted at Mewar and less frequently in the Pahari School.

Composed in the twelfth century by Jayadeva, who is believed to have been the court poet of Lakshmana Sen of Bengal, Gita Govinda, the ‘Song of the Cowherd’, is a lyrical poem in Sanskrit, evoking shringara rasa, portraying the mystical love between Radha and Krishna through worldly imageries.

Bhanu Datta, a Maithil Brahmin who lived in Bihar in the fourteenth century, composed another favourite text of artists, Rasamanjari, interpreted as the ‘Bouquet of Delight’. Written in Sanskrit, the text is a treatise on rasa and deals with the classification of heroes (nayakas) and heroines (nayikas) in accordance with their age — baal, taruna and praudha; physiognomic traits of appearance, such as padmini, chitrini, shankhini, hastini, etc., and emotional states, such as khandita, vasaksajja, abhisarika, utka, etc. Though Krishna is not mentioned in the text, painters have introduced him as the archetypal lover.

Rasikapriya, translated as ‘The Connoisseur’s Delight’, is replete with complex poetic interpretations and was composed to incite aesthetic pleasure to elite courtiers. Composed in Brajbhasha by Keshav Das, the court poet of Raja Madhukar Shah of Orchha in 1591, Rasikapriya explores various emotive states, such as love, togetherness, jilt, jealousy, quarrel and its aftermath, separation, anger, etc., that are common between lovers represented through the characters of Radha and Krishna.