Match List I with List II:

Choose the correct answer from the options given below:

A-II, B-IV, C-I, D-III

The correct answer is Option (2) → A-II, B-IV, C-I, D-III

The correct match is:

Explanation:

Justice, Illustrated in Punch, 12 September 1857: As waves of anger and shock spread in Britain, demands for retribution grew louder. Visual representations and news about the revolt created a milieu in which violent repression and vengeance were seen as both necessary and just. It was as if justice demanded that the challenge to British honour and power be met ruthlessly. Threatened by the rebellion, the British felt that they had to demonstrate their invincibility. In one such image, we see an allegorical female figure of justice with a sword in one hand and a shield in the other. Her posture is aggressive; her face expresses rage and the desire for revenge. She is trampling sepoys under her feet while a mass of Indian women with children cower with fear.

Execution of Mutinous Sepoys- Illustrated London News, 3 October 1857.
Execution of mutinous sepoys in Peshawar, Illustrated London News, 3 October 1857 In this scene of execution 12 rebels hang in a row, with cannons all around them. What you see is not routine punishment: it is the performance of terror. For it to instil fear among people, punishment could not be discreetly meted out in enclosed spaces. It had to be theatrically performed in the open.

“Relief of Lucknow”, painted by Thomas Jones Barker in 1859, is an example of a painting commemorating the British heroes who saved the English and repressed the rebels. Barker’s painting celebrates the moment of Campbell’s entry. At the centre of the canvas are the British heroes – Campbell, Outram and Havelock. The gestures of the hands of those around lead the spectator’s eyes towards the center.

"In Memoriam" by Joseph Noel Paton, 1859.
In Memoriam” was painted by Joseph Noel Paton two years after the mutiny. One can see English women and children huddled in a circle, looking helpless and innocent, seemingly waiting for the inevitable – dishonour, violence and death. “In Memoriam” does not show gory violence; it only suggests it. It stirs up the spectator’s imagination and seeks to provoke anger and fury. It represents the rebels as violent and brutish, even though they remain invisible in the picture. In the background, you can see the British rescue forces arriving as saviours.