Target Exam

CUET

Subject

History

Chapter

Medieval India: An Imperial Capital: Vijayanagara

Question:

Match List - I with List - II.

List – I (Architectural element)

List – II (Meaning)

(a) Gopurams

(i) Hindu Suratrana

(b) Sultan

(ii) Pavilion

(c) Mandapa

(iii) Royal gateway

(d) Mahanavami Dibba

(iv) Ritual structure

Choose the correct answer from the options given below:

Options:

(a) -(iii), (b) -(i), (c) -(ii), (d) -(iv)

(a) -(i), (b) -(ii), (c) -(iii), (d) -(iv)

(a) -(iv), (b) -(i), (c) -(iii), (d) -(ii)

(a) -(iii), (b) -(ii), (c) -(i), (d) -(iv)

Correct Answer:

(a) -(iii), (b) -(i), (c) -(ii), (d) -(iv)

Explanation:

The correct answer is Option1: (a) -(iii), (b) -(i), (c) -(ii), (d) -(iv)

List – I (Architectural element)

List – II (Meaning)

(a) Gopurams

(iii) Royal gateway

(b) Sultan

(i) Hindu Suratrana

(c) Mandapa

(ii) Pavilion

(d) Mahanavami Dibba

(iv) Ritual structure

EXPLANATION:

Gopurams were Royal Gateways. They can be seen from distance and showed the power of kings.

It is likely that the very choice of the site of Vijayanagara was inspired by the existence of the shrines of Virupaksha and Pampadevi. In fact the Vijayanagara kings claimed to rule on behalf of the god Virupaksha. All royal orders were signed “Shri Virupaksha”, usually in the Kannada script. Rulers also indicated their close links with the gods by using the title “Hindu Suratrana”. This was a Sanskritisation of the Arabic term Sultan, meaning king, so it literally meant Hindu Sultan.

In terms of temple architecture, by this period certain new features were in evidence. These included structures of immense scale that must have been a mark of imperial authority, best exemplified by the raya gopurams or royal gateways that often dwarfed the towers on the central shrines, and signalled the presence of the temple from a great distance. They were also probably meant as reminders of the power of kings, able to command the resources, techniques and skills needed to construct these towering gateways. Other distinctive features include mandapas or pavilions and long, pillared corridors that often ran around the shrines within the temple complex. Let us look at two temples more closely – the Virupaksha temple and the Vitthala temple.

Located on one of the highest points in the city, the “mahanavami dibba” is a massive platform rising from a base of about 11,000 sq. ft to a height of 40 ft. There is evidence that it supported a wooden structure. The base of the platform is covered with relief carvings. Rituals associated with the structure probably coincided with Mahanavami (literally, the great ninth day) of the ten-day Hindu festival during the autumn months of September and October, known variously as Dusehra (northern India), Durga Puja (in Bengal) and Navaratri or Mahanavami (in peninsular India). The Vijayanagara kings displayed their prestige, power and suzerainty on this occasion. The ceremonies performed on the occasion included worship of the image, worship of the state horse, and the sacrifice of buffaloes and other animals. Dances, wrestling matches, and processions of caparisoned horses, elephants and chariots and soldiers, as well as ritual presentations before the king and his guests by the chief nayakas and subordinate kings marked the occasion. These ceremonies were imbued with deep symbolic meanings. On the last day of the festival the king inspected his army and the armies of the nayakas in a grand ceremony in an open field. On this occasion the nayakas brought rich gifts for the king as well as the stipulated tribute.