Jain paintings adopted a simplified and schematic artistic language, utilizing segmented spaces to portray various incidents. Bright colors are favored, showcasing a keen interest in textile patterns. The compositions are characterized by thin, wiry lines, and attempts to create three-dimensionality in facial features include the addition of an extra eye. The architectural elements depicted, such as Sultanate domes and pointed arches, indicate the political influence of Sultans in regions like Gujarat, Mandu, Jaunpur, and Patan. These paintings vividly capture indigenous features and the local cultural lifestyle, portraying textile canopies, wall hangings, furniture, costumes, and utilitarian items. Landscape features are suggestively depicted, typically lacking intricate details. The pinnacle of creativity in Jain paintings is observed during a roughly one-hundred-year period from 1350–1450. This era witnesses a transition from severely iconic representations to the inclusion of captivating elements like landscapes, figures in dance poses, and musicians playing instruments, often painted in the margins surrounding the main episode.

Which statement is incorrect regarding Jain paintings?

The landscape features in Jain paintings are usually detailed and realistic.

Answer: The landscape features in Jain paintings are usually detailed and realistic.
The features of the landscape in Jain paintings are only suggestive and usually not detailed, contradicting the statement that suggests detailed and realistic landscape features.

Jain paintings developed a schematic and simplified language for painting, often dividing the space into sections to accommodate different incidents. One observes a penchant for bright colours and deep interest in depiction of textile patterns. Thin, wiry lines predominate the composition and three-dimensionality of the face is attempted with an addition of a further eye. Architectural elements, revealing the Sultanate domes and pointed arches, indicate the political presence of Sultans in the regions of Gujarat, Mandu, Jaunpur and Patan, among others, where these paintings were done. Several indigenous features and local cultural lifestyle is visible through textile canopies and wall hangings, furniture, costumes, utilitarian things, etc. Features of the landscape are only suggestive, and usually, not detailed. A period of roughly hundred years from about 1350–1450 appears to be the most creative phase for Jain paintings. One observes a shift from severely iconic representations to inclusion of attractively depicted aspects of landscape, figures in dance poses, musicians playing instruments, which are painted in the margins of the folio around the main episode. These paintings were lavishly painted with profuse use of gold and lapis lazuli, indicating the wealth and social status of their patrons