Match List - I with List - II.
List – I | List – II |
(A) Krishna on swing | (I) Kishangarh Sub-School |
(B) Chaugan Player | (II) Mewar Sub-School |
(C) Maru Ragini | (III) Jodhpur Sub-School |
(D) Bani Thani | (IV) Bikaner Sub-School |
Choose the correct answer from the options given below:
Answer & explanation
Correct answer: option 3
The correct answer is Option (3) → (A)-(IV), (B)-(III), (C)-(II), (D)-(I)
| List-I | List-II | Reason |
|---|---|---|
| (A) Krishna on swing | (IV) Bikaner Sub-School | Painted in 1683 by Nuruddin, who worked at the court of Bikaner. |
| (B) Chaugan Player | (III) Jodhpur Sub-School | Dana’s painting of a princess playing polo is Jodhpur painting of Man Singh’s reign. |
| (C) Maru Ragini | (II) Mewar Sub-School | It belongs to a Ragamala set from Mewar, painted by Sahibdin. |
| (D) Bani Thani | (I) Kishangarh Sub-School | Nihal Chand painted it; her sharp features became the mark of the Kishangarh School. |
NCERT (2026-27): “Krishna Swinging and Radha in Sad Mood This painting, illustrating Rasikapriya, is notable as it is inscribed with a date and name of the artist. Painted in 1683 by artist Nuruddin, who worked in the court of Bikaner from 1674 to 1698, it presents a stark and simple composition with minimal and suggestive representation of architecture and elements of landscape.…” “Chaugan Players This painting, depicting a princess playing Polo (Chaugan) with companions, by artist Dana represents Jodhpur painting of Man Singh’s reign.…” “Maru Ragini A particular set of Ragamala paintings from Mewar is, especially, important as one of its paintings bears crucial documentary evidence regarding its artist, patron, place and date of painting.…” “Bani Thani …He writes about her in a poem Bihari Jas Chandrika, which became the basis for Nihal chand’s painting of Bani Thani, thus, representing a blending of poetry and painting. Troubled by fratricidal conflict, Sawant Singh, eventually, abdicated the throne in 1757 and retired to Vrindavan along with Bani Thani. The exaggerated facial type of Kishangarh, which becomes the distinctive and salient stylistic feature of the Kishangarh School, is believed to have been derived from the attractively sharp facial features of Bani Thani.…” |