Practicing Success

Target Exam

CUET

Subject

Fine Arts

Chapter

The Living Art Traditions of India

Question:

Observe the image, read the passage given below and answer the following questions:



The Warli community inhabit the west coast of Northern Maharashtra around the north Sahyadri range with a large concentration in the district of Thane. Married women play a central role in creating their most important painting called Chowk to mark special occasions. Closely associated with the rituals of marriage, fertility, harvest and new season of sowing, Chowk is dominated by the figure of mother goddess, Palaghat, who is chiefly worshipped as the goddess of fertility and represents the corn goddess, Kansari.

What does the headless warrior, 'Panch Sirya Devata', symbolize in the Warli paintings?

Options:

Guardian of the fields

God of Plants

God of War

Goddess of Fertility

Correct Answer:

Guardian of the fields

Explanation:

Answer- Guardian of the fields
Panch Sirya Devata symbolizes the guardian of the fields, known as Khetrapal.

Closely associated with the rituals of marriage, fertility, harvest and new season of sowing, Chowk is dominated by the figure of mother goddess, Palaghat, who is chiefly worshipped as the goddess of fertility and represents the corn goddess, Kansari. She is enclosed in a small square frame decorated with ‘pointed’ chevrons along the outer edges that symbolise Hariyali Deva, i.e., the God of Plants. Her escort and guardian is visualised as a headless warrior, riding a horse or standing beside her with five shoots of corn springing from his neck, and hence, called Panch Sirya Devata (five-headed god). He also symbolises the guardian of the fields, Khetrapal. The central motif of Palaghat is surrounded by scenes of everyday life, portraying acts of hunting, fishing, farming, dancing, mythological stories of animals, where the tiger is conspicuously visible, scenes of buses plying and the busy urban life of Mumbai as people of Warli see around them.